Tuesday, September 9, 2008

Response #2

From Aaron:
2. Knowing what trends people use to identify what kind of a book you're buying, for example, is it wise to buck the trend financially? For instance, what if you wrote a children's book that didn't LOOK like a children's book. Would you even be published?

Our adaptation to common mediums of academic text compared to others, be it fiction, comic, or children's allows us to categorize the media we are approaching. This grouping allows for a certain frame of mind to be engaged prior to reading. In the instance of the children's book, I do not believe it would be published, but this may be an error on the point of the publisher. This expansion on the typical medium could confuse children at first, but could expand the child's mind and show them creativity in a simple sense. This could foster artistic ability and 'out of the box' thinking that may lead to innovation later in life. Still, in a culture resistent to change (unless its a campaign slogan) it is unlikely that parents , child shriks, and more importantly, publishers will not be accepting of this theory.

Q no A #2

1) Would the ability to choose the platform of your readings assist you in understanding them better? In a sense, what would be the implications of removing academic texts from the typical academic platform and style of publishing?
2) What do you believe are the practical applications of the standardized texts of academia we are so used to? If another form and style was found to be more productive do you believe the application of such would be beneficial or detrimental to those adjusted to our standardized format?
3) Do you feel that function, deadlines, or requirements can retract from the artist's vision and creativity in a given piece?

Banksy


My favorite Banksy work.

I believe that the people on the platform are responding to this stencil, which shows how badly people wish for a change to their current situation.

The signs on the road and pathways of our world are writings of control. Banksy is showing that these controls have forced us to act certain ways, removing originality and liberty. He has a series of these including "This is not a photo opportunity" and the 'destructive' "Designated Graffiti Area," which opened a blank wall to graffiti art overnight. These walls filled overnight with those who did the graffiti believing they had following orders, taking nearly all the art, and essentially point, of graffiti out of the work.

Sunday, September 7, 2008

Champaign Street Art

Our world is a machine.... pay me what i tell you.

banksy copy... good effort.